Dissecting style, a t-shirt intervention

There was a nice green t-shirt in my dresser drawer.  Nice, but I never wore it because … well … I didn’t like it.  An indefinable not-liking.

It became unwearable last November when I dissected it.  By picking apart the features that bothered me, I hoped to learn more about its character and nature.  The colour was great.  But not the band around the bottom and not the little gathered bit in front.  Surely there was a better way to put this garment together.

The interesting thing about dissection is that one knows it won’t go back together the same way. Ever. It’s like getting the recipe for a favourite dish a friend makes, and you have all the ingredients, but it doesn’t taste the same as your friends when you make it.  It’s like when a friend, spouse, family member shares something that’s normally hidden.  You can maintain the routines and habits, but the person is different, the relationship is different.  It’s risky to share, to look at the underside or inner workings.  I could truly wreck the t-shirt, but that was cool.  It was stuck in a drawer anyway.  Although, Goodwill or some other recycling enterprise might have found a better home for it.

So a choice had to made:  throw it out or reinvent.

And there the green tee sat on my workroom table next to a bright green and orange print fabric from already cannibalized blouse which had three really cute, tiny covered buttons.  The t-shirt sat for the whole month of December in the flurry of holiday card making and last minute sewing, flirting with the green bits in a brown print skirt, destined to be remodeled in 2013, or 2014.

Same nice t-shirt as the green with the original styling.

Same nice t-shirt as the green with the original styling.

Reinvented, and should be a bright Kelly green as you'll see from the sister tee beside it.

Reinvented, and it really is a bright Kelly green as you can see from the sister tee above.

So as the snow fell in January, the plain, proper, nice little t-shirt was reinvented into something a little different.  I will wear it now because it’s gone from nice to being fun.  It has some depth.  And if it had a voice, I could hear it praying for me to finish the brown print skirt, which was finished but also in need an intervention and became another victim of dissection by seam-ripper.  The skirt was nice, but not fun. Not flirty, or flattering … or interesting enough to wear.

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The memory quilt from t-shirts

cutting the t-shirts

cutting the t-shirts

Like all children, my daughter has grown up.  Now, we’re always sorting out closets, deciding what can stay, what should go,  reminiscing all the while.   She came up the idea for me to make a blanket from some of her favourite and well-loved t-shirts.

I’ve made traditional quilts, and crazy quilts from blue jeans, but never worked with knits before.  Joyce’s Sewing Shop on Wortley Road had a beautiful four-way stretch fleece that looked like shearling, so I didn’t worry about stabilizing the blanket.

the layout

the layout

Planning the blanket was a challenge.  The t-shirts and their logos were different sizes. So I approached it by cutting first, planning later.  The logos were cut out with generous borders and to get a sense of how to put them together, I laid them out on the table.  Nothing matched up.  In the end, I decided to make four rows and fill in the spaces with extra t-shirt fabric AND old photos!  I didn’t tell my daughter about the photos.

joining the logos and pictures with strips

joining the logos and pictures with strips

The design was kept to rectangular and square shapes, and because I wasn’t going to be fussy about squaring the corners and a consistent grid, I sewed the top so the selvedges were showing.  I figure after a number of washings, there will be a nice rag look to the borders of each piece.

joining top and back

joining top and back

Because of the thickness of the fleece, I didn’t put a layer in between top and backing.  I finished it by tying it at regular intervals so the blankie could stretch without tearing.  If I’d stabilized it, the folks at Joyce’s could have quilted by machine for me.

And my grown girl loves it!!

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One last Christmas “hurrah!”

It’s become obvious to me over the last few months that I don’t procrastinate.  I over-commit and then have to prioritize.  There are so many interesting things going on in my workshop and no elves to work in the night. I think that’s illegal, anyway.

Christmas tree skirt, in progress

Christmas tree skirt, in progress

One project was only half-finished, although presentable, by the time December 25th rolled around.  Deadlines are good.  And because it was a skirt for the bottom of a Christmas and the giftee lives miles away, I brought it home to fancy it up with a new deadline–next Christmas.  Months to finish it, months to procrastinate.

But I couldn’t do it.  Procrastinate, that is.  I couldn’t pack up the shiny organza and stick in the back of the closet.  A vision of flounce and shine was in my head, and so the yards of organza have been gathered and stitched, the trim applied twice around, the ties added and threads trimmed.

Some things you do for the joy.

Christmas tree skirt in January

Christmas tree skirt in January

When to Retreat

It’s National Novel Writing Month and I’m supposed to be writing about 2000 words a day to make a total of 50,000 words in the month of November. That’s about 4 type-written pages a day.

Of course there are distractions.  The fridge, the neighbours, work, my studio projects, tea with long-lost friends, movies, a sudden urge to meditate or clean, pressing F1 for anything on the computer, researching family history, running out the door for any number of very important errands.  I’m distracted by everything because this writing project is new and that means anything is possible.  The canvas is a little too white.

From my room at the retreat house.

So, a writing retreat was in order and even sponsored by the London Writers’ Society.  I headed out to sunny Lake Sunova twice this month and put words on the page.  Not a lot, but some.  Some good words, I think, in my once elegant long-hand that I won’t be  able to read later.  Half the time I’m counting the words to see how well I’ve done. But truly it isn’t about the word count, is it?

Regardless, it’s been great to retreat, to leave my usual habits behind and honour the time and space to get into new writing again after a year of editing.  While this new novel comes slowly into the world, I had the space to relax.  The little lake and the house were beautiful, nourishing.

But a retreat can be lonely.  I’m used to writing amid noise and distractions, with the radio on in the background, at the market downtown, in Timmy’s or anywhere else where people gather.  These busy places help me keep me one foot in this world so that I am able retreat into the writing.

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Summer break

Yes, it’s time to get out the wading pool, the camping gear, the cooler, sketch books, the camera, the novels I always wanted to read, the portable bits of thread and cloth–and escape the studio.  Summer is the perfect excuse for a procrastinator like me to put aside all plans and just follow the sun.

Friendship Bracelets; one for you, one for you …

It also means, for a while, leaving behind posting regularly through this lovely connection.  I will return, I promise you.

During the summer, I will gather more inspiration than I need.   And I look forward to hearing about your inspirations as well as sharing mine again–when it’s time to remember where I put my shoes, when the cat sleeps in again, when the droning, dripping air conditioners are silent, when school supplies go on sale and all the best pencil cases have been snatched up and Hallowe’en candy has crept out of aisle nine into the first marque display, when the basil is fragrant and tomatoes and garlic are plentiful, when the sauce is made and the body sated, sunned, exercised and renewed.

Love,

Laura

Quilts that tell a story

My first quilt was a grid of squares made from scraps of fabric we had around the house.  I was 14 years-old.  My grandmother and her sisters came over to quilt it.  I felt honoured.   Quilting, it seemed, was a tradition in my family.  I’ve taken the tradition and twisted it with needle and thread in many ways over the years, but have never done anything like the women of Wardsville, Ontario.

Louise painting a Wardsville Bicentennial barn quilt block
Photo by Dave Chidley

They have taken the story of the founder of their community and created the Wardsville Barn Quilt Trail.   Each block of the quilt tells a piece of George Ward’s story or relates to the historical context of the founding of Wardsville in 1810.  What’s really cool is that each block is painted onto plywood then put up on the side of a barn or other structure.  Who would have thought, but it’s beautiful.

I’m still working with textiles–the stretchy knits of t-shirts.  They are my daughter’s.  There’s history, or should I say, her-story, in them for sure.  She hasn’t founded a town but she’s got time.

I’ve cut the t-shirts into blocks of various sizes based on the logos.   When I lay them out on my table, I can see that it’s going to take some work to make them fit into a grid.  And like any artist, I’m looking at the empty spaces between the blocks.

First Nation Paintbrush, Delaware First Nation

The double Irish chain design from Wardsville might be an option (they have put the pattern up on their blog).  My daughter has strong Irish ties from her grandmother.  The Rising Sun block is also beautiful but it looks like I’ll have to search for that one.  You know, I like research.

Thanks to the women of Wardsville for their inspiration.

Love,

Laura

Blame it on Dad

The table in the studio is cleared again.  After a week of sleeping on the scraps from the green fleece sweater, my dear old cat must find a better place to rest.

Up next is the t-shirt quilt project.  I’m really awful at these things.  I spend too much time thinking and planning and postponing.  It was supposed to be a present for last Christmas, so I wonder what the odds are for this year.

I blame the men in my life for all this thinking stuff.  Unlady-like, my dad would say.   But he’s responsible for a good part of the bad habit.  When I was born, he was doing his masters at University of Toronto.  We were surrounded by intellect, living in the heart–or should I say brain–of a major city.  A bit was bound to rub off.

Another man was much more encouraging about the beauty of logic.   Kenneth Thrasher taught grade 10 math.  With a gleam in his eyes,  he introduced me to Euclidean geometry.  I swore I’d died and gone to heaven.  Please, can I have more homework.  He may be responsible for me diving into clothing design rather than into art after graduating high school.  All those pattern drafting tools!!

So, please be understanding.  The t-shirt project must be shaped by intellect as much as fashion.  This takes time.  Theories of relativity have crept into my life, making it challenging to wrestle the ideas into plane geometry.

I’ll blame it on Dad and the other men with whom I’ve shared a love.

Love,

Laura

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My Singer Sewing Machine

Sewing the collar on the green sweater

It feels like cheating because I’ve chosen to drop the knitting needles and romance the sewing machine.

Historically, the Singer and I have gotten along quite well.  She’s the more dependable on in our relationship.  I get antsy and crazy with lust over fabric but find hard it to settle into her warm glow, to appreciate the machine oil smell of her cast iron body.

But when I’m focused, when there’s a mission to accomplish, we get it done.
We made a sweater over the last couple of weekends–just like that.

It’s a re-purposed garment.  I had made a cotton fleece sweater that was loose-fitting and only seamed at the armholes and down the sleeves.  There was lots of fabric to work with.  I enjoyed picking it apart.  It’s like a meditation.

Fitting the green sweater on the Judy.

Next, I dyed the natural-coloured fleece green.  It’s turned out to be the best green colour ever!  Then the I pinned the body of the old sweater onto the Judy and fitted it.  I used the skirt of an out-of -style cotton dress for the bias trim.

One weekend, I adjusted and sewed the main seams, and even got the sleeves in.  This past weekend, I did the finishing:  collar, zipper and hem.  And it’s done!  A bit odd and funky, but it’ll do the job.

This green sweater is a stepping stone to the knit one.  It’ll keep me covered until I have time and courage to connect with the knitters’ group that meets at the library.

Love,

Laura

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Escaping the Studio: a marriage proposal pops up

I like to escape the studio, even though there’s a comfortable chair and a huge  table.  It’s good to get out.  I take my writing or sketchbook and “work” in public spaces.  A good way to get some things done.

Covent Garden Market, London Ontario
Mezzanine

On Friday afternoon I was having tea by the huge beautiful windows upstairs at the Covent Garden Market.  A group of teenage girls began to gather and  practice dance moves in the space beside me.  I had my Mp3 player and ignored them.  More and more girls came, but I shrugged, thinking they were practicing for the Fringe Festival which had started the day before.

A friend spotted me and we moved away from the growing commotion so that we could talk. It soon became clear that something was up.  At some point, the practicing stopped and the girls scattered among the tables.  Ah, a flash mob. Sure enough, the music started up and a couple of girls got up to dance, with more girls gradually joining in.  But they kinda swarmed a woman who was not part of the dancing group.  And there to save her was a man.  That man handed her a gorgeous bouquet of red roses.

Out came the tissues.  It was a marriage proposal.  She must have said yes.  Confetti cannons went off.  Then more tissue therapy, for her this time.  Her guy just hugged her, seriously smiling.

This kind of thing never happens in my studio.

Love,

Laura

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