Category Archives: galleries

Text to Textiles

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I thought I’d be writing a lot more about the process for making this collection of illustrations/fibre artworks. It’s not that I haven’t been documenting the progress. But for now, I’m pleased to have the work hanging all together, and I look forward very much to hearing feedback. The next few months will be a time of closure and reflection on a project that’s taken up a lot of space for the last 3 years. 

Here’s the blurb about the exhibit. The best is last: the artwork is posted below the blurb.

Text to Textile is a exhibition of fibre art illustrations based on the novel, The Bones, by Laura Wythe.

Text to Textile runs from April 3rd to April 28th  in the Sifton Room at the Masonville Branch Library, 30 North Centre Road, London ON, Canada.

The show opens on Saturday April 7th from 1-4 PM with readings from the novel by author and artist Laura Wythe.

Each image in Text to Textile is translated from the text onto silk, table linens or canvas, and carries an aspect of a character in the novel.

The artist infuses various embroidery traditions with a new point of view, highlighting the fragility of cloth and life, borrowing from news stories of local and global flooding to show the precarious hold we have on the land.

The illustrations are mounted as a conservationist might; fragments are carefully stitched onto linen stretched onto acid-free boards. Each illustration is accompanied by a text from the story. The process of creating the illustrations is also highlighted.

Laura is a teacher, artist, writer and long-time environmental activist. Three times her plays about community and the environment were chosen for the Grand Theatre’s Playwright’s Cabaret. She has studied Fashion Design at Ryerson and has a BA in Fine Arts from the University of Guelph. She is a member of the Canadian Embroiderers Guild, and lives and works in London Ontario.

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Indie Publishing

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A long time ago, in the town I grew up in, I had my first Indie publishing moment in Mr. Smith’s Canadian Lit class. I wrote the story, drew the pictures, hand printed the words, and bound the pages with red electrical tape. Pretty cool. An excellent teacher, Mr. Smith went through the pages with pencil and pointed out my not-too-numerous spelling and grammar mistakes. He whispered to me (I was a class-slacker) that I should get this book published. I thought it was.

Little did I know at the time “nurd” would be become a part of our vocabulary, and have a different spelling!

Now with online printing platforms, I can go beyond a short children’s story and print out a whole novel, and many copies! In my case, I used CreateSpace, and being a pencil and paper girl, I had a hard time until I just followed the instructions. Oh yes, and I enlisted a friend’s help!

Talking out design problems and getting the book just right was a great experience, and now it’s done. I have a BIG book.

Mind you, I also booked a venue to hold an art show in 2018 — can’t resist illustrating a novel. Deciding how to include illustrations is still to be decided. I’d like it to have some of the charm of an “old-school” book, maybe with colour plates pasted onto blank pages opposite the text, or scattered through more randomly. It won’t be hand printed, but the illustrations will be hand-made.

I’m proud to announce the release of The Bones, and will be among the small presses and indie authors at London Ontario’s Wordsfest — Southwesto Book Expo — held November 4 and 5th at Museum London. A cool start for a book.

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Colours of the Garden: colour wrapping

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thread wrapped basket/Laura Wythe

Many of the fibre artists I meet dye their threads to make their own pallet. I haven’t tried it, except the once when I sank a skein of pearl cotton into a brew of black walnut juice.

In the cold of winter, I went to a workshop led by Nancy Latchford. She’s a fibre artist who specializes in baskets, and her baskets are amazing in size and range. We met in a workroom in the Jonathon Snell-Bancroft Gallery where we had a view of Nancy’s fibre-based work, as well as many, many amazing ceramic pieces.

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Base of basket by Laura Wythe

We started making our little baskets, first wrapping a washer for the base, then wrapping more threads over a cotton and wire core to make our coils. I’ve made slippery coils for clay for pots before, but this was new, and quite a challenge to juggle the pieces.

A huge part of the project was to choose the colours, or in my case, let the colours choose me. There was a boardroom-size table before us filled with hand-dyed cotton thread of all colours and tints. Impossible to include them all, but I tried. Red is always my favourite, but then violet, purple, orange, yellow, greens and blues took up the bulk of the project. In the dead of winter, I was thinking about June gardens.

The wrapping technique was new to me. You choose 2 or 3 colours and wrap them together around the core materials. It’s blending colours, and then as Nancy pointed out, they become further blended when the coils are bound together with yet more blends.

The basket is still a work in progress, palm-sized. The gardens, however, are in full bloom.

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Thread-wrapped basket in progress, Laura Wythe

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