Author Archives: Writing Laura

Shedding Skin 3

We talk of history repeating itself, and I think it’s meant as a negative statement. As in, “when will you learn” NOT to do something. Mistakes happen again and again; heads hit the same wall to no avail. Nations go to war at one end of the spectrum and children rebel against parents at the other end.

When I did or said certain things growing up, I was “just like Heather,” my adventurous, independent 1960s auntie who never married. She told me once, “You can be lonely in a relationship too.” Oddly, I let everyone down when I married and had a child. Now who would they live through vicariously?

History is history.

When the stars realign and the situation seems pretty familiar, it’s actually the present offering new opportunities. Shedding the past to receive a new present. To accept and digest the present–not throw it all over the place in bloody pieces to create more harm. It’s been a privilege to participate in relearning the history of the land that I have always called home.

Shout out to Kaleidoscope Theatre! https://kaleidoscope.bc.ca/shows/frozen-river/

Recently I read the play Frozen River [Nikwatin Sipiy] by Michaela Washburn, Joelle Peters and Carrie Costello … I hope to see it performed locally and won’t spoil the brilliant end. But the character in that play who really caught my attention was Moon. Always there in the background, above the actors, watching, commenting. Cycling through seasons and decades–different each time, but given time, similar. Our shared past no matter how we try to deny it.

It feels like we are at so many intersections that require choices. Frozen River gives hope in so many ways.

My family found a new refrain to replace “Just like Heather.” “Why are you so sensitive?” I always shrugged: It’s what an artist is. It’s what the moon brings to the world–the mystery of seeing into the dark, illuminating it, and coming out with a story.

Will we shed old skin and emerge new and perhaps more vulnerable? That’s how it feels to publish writing. Putting artwork out. Staging plays. Sometimes courage is needed to just to voice compassion in a room where thick skins and sarcasm dampen conservsation.

Home: 10 Short Stories is a collection of stories covering a cycle of seasons. Threads of toughness shimmer through difficult times. It’s a book for the settlers here, that we let our hearts be brave.

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Shedding Skin 2

The turn of the millennium seems, well, a millennium ago! I did so much writing then.

The short stories I wrote in the early 2000s helped me process the new field I was entering, the world of education where it intersected with at risk and vulnerable youth. As an educator, I had to grow beyond my biases and judgements, those fear-based ways of holding on. Like a snake, I stretched my jaw through writing to take in and process amazing stories of resiliency, failure, and the hard snap of systems based on monetary measurables. Thankfully, in those years I was surrounded by amazing support from Youth Opportunities Unlimited and the Boys and Girls Club.

At the turn of the Millennium, there was the Internet, and I was an early adopter. No Facebook, no Instagram or TickTock. The iPhone wasn’t out yet, and Blackberry had its simple, but brilliant, message system (remember BBMS??). The newspaper, gossip, the radio shows and 6 o’clock news on TV were our information highways. We saw the same news at the same time. We could observe our local neighbourhood, our workplace, but we weren’t linked to instant news and entertainment.

The stories I wrote came from observations. The style of telling couldn’t be the usual hero’s journey because there was so much to overcome, and sadly, losses and more losses. All the unanswered prayers.

Most of the stories were told within a short time frame, but formed by a kaleidoscope of views. Me stretching my skin to understand the whole picture, and how to present it? Through dis-connection. In the end, the patterns coalesced, the endings not endings at all. Or writing an “if only.”A skin shed, and the living carry on.

Home: 10 Short Stories is shed, at least in the first layer and available to readers through Amazon. Though that won’t be the end of it.

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Shedding our skin

It’s been a year of work. Family work. Paid work from the heart work. Creative work. Stories written in the past have come back, and darn, I think they are good. The Year of the Snake is coming to a close. Shedding fiction is a fun skin to lose, to observe it separate from oneself.

This fall “Alignment” found its way into the London Writer’s Society anthology. I think I can say that Emma Donoghue has read my work now, and I have certainly have read hers. The LWS group has fearlessly marketed this anthology, asked the authors to participate in all kinds of events. And they have found so many local bookstores to take this anthology in. Tuckey’s Home Hardware is one of my favourite places to see it on display. It takes a village to raise a book!

Shedding a story feels great. It’s not about money or fame, but about having space to renew the craft and bring out new ideas. This year, the short stories are leaving–

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Mother’s Day revisited with May and June

Sketches for the garden gate
by Laura Wythe

My mother and her sister were named after the months they were born in:  May and June.  Both had Alzheimer’s.  Patricia May has passed away and but my mother, Eleanor June, lived on. Now, I am given white flowers on Mother’s Day.

I wondered how a person with dementia would respond to the news that a loved one had died. I wondered how dementia might have affected the sisters in the first place. Would they still have a relationship, each in their own world?

Here’s a section of a short story from my HOME collection where June tries to take in the news that May has died.  

They say no. She is not yet beside Mother and Father. Good. Tell them that on Mothers’ Day we pin a white carnation from the vase in the church narthex onto our cardigans and then we sit in the family pew waiting for the service. The pastor will deliver homilies of two kinds. May and I discuss how we would rather wear pink or orange carnations, and so we return the white ones to the vases in the narthex and pin the coloured ones on with long hat pins. The deacon notices and kindly says that there aren’t enough coloured flowers. Would we mind trading ours for the white again? We are mortified. Mother only pins coloured carnations onto our cardigans.

Father’s Day is less complicated. We take fish and chips to the pond and share a great bottle of dark ale, wiping our greasy hands on the grassy bank, putting off our shoes and socks afterwards to dangle our legs over the edge, fishing bits of coleslaw from the Styrofoam container and tossing the limp strands onto the water, calling up the fish as though they are our friends, kicking our feet hard in tandem so that whenever the minnows do surface, we have created tidal waves for the poor things. Father would like to choke us girls for scaring the fish away, for disturbing them, yet he has no qualms about tricking the fish with worms and impaling them on hooks in the first place.

This material is recycled from previous posts. See Songs of Experience (2014) for more about the drawing. LW

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Home: Ten Short Stories

font: Minimalist template: BookDesignTemplates.com

The interior is finished, thanks to BookDesign Templates for an easy to use format that works for this impulsive, somewhat dyslexic, right-brain creator.

In the next month, I’ll be building a main cover with renovation left overs. Besides publishing the collection through Amazon (sigh), I am going to make “art book” copies of the collection and also for each short story. Lots of fun ahead. It seems very important to reclaim the place of the writer as not just an online algorithm feeding a vast machine. I’ll never go on a big book tour, so creating art is where I live my most grounded life.

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A postcard

Back of She Wanders, 2021, DMC #8 thread and printed postcard, by Laura Wythe

Stitching up a memento to summarize a whole year on the back of a postcard is a challenge even in the best of years. This one is for 2020.

In January 2021, the embroidery guild I belong to invited members to create a postcard to swap. The theme is “What 2020 meant to me.” It’s been a remarkably full year, where babies were born and died, teaching became a technical vocation, friends celebrated decades of life without fanfare, a grant was written, stories collected and this writer/artist learned what self-care really meant.

We are currently in another tight lock down, making the swap idea a very appealing way to connect. The postcard has a physicality that needs time to make, send, receive and savour. And perhaps bring love and a smile to someone.

The size is small, though honestly, it just means I stitch smaller! Like many, I searched through what I have at home for inspiration. There was enough left of a fat quarter with a street print, a place I’d love to walk. As well, I have a bunch of postcards for The Bones designed by Chazza. Using one seemed very appropriate as we hear of the pandemic coming and going in waves.

This postcard goes to an unknown guild member, but if you are interested in a swap, let me know.

She Wanders,
2021, floss on printed cotton, cotton fill on printed postcard, by Laura Wythe
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The Bones Illustrated 16

Dominion of Catherine by Laura Wythe

Everything had worked out, but she still had nothing. Even Thomas, her heart and soul, was determined to deny her. Worse, he had seen how small she really was. He wasn’t from here, he wasn’t one to be attached to such a mundane place. She’d always had this place and the stories. It was the foundation of her life, and her life might fade, she believed the place would remain tangible and whole. She’d dedicated her life to elevating the settlers of Chatham County, who wrapped the land around them like a quilt, the best bits bound together—farms and fences, families and friendships—each patch filled with the hues and textures of homes and fields and businesses. Yes, some pieces were covered with new bits of cloth—oil and energy, chemical industries. Some lines had changed, but she appreciated the layers and handled them skilfully with her curatorial gloves.

The Bones: Fulfillment, Chapter 14 by Laura Wythe (available on Amazon)

The Bones Illustrated 15

A Great Void by Laura Wythe

She carried a tray with tea to the front porch, tapping on the door of the good parlour to let TinTin know it was ready. To call him out from the wired madness and to have another human being sit with her before the great void. Clem stared out at what she knew was a landscape only because a horizon line hovered in the distance. It had not been visible in earlier in the day, blotted by a mist rolling off the river, and just recently withdrawn. The horizon line, she noticed, might be fat or thin, far or close, depending on how dense the air was, how the sunlight struck through this veil between heaven and earth. Without the horizon, there was no landscape, only a void to be filled by the imagination. There was nothing to draw upon but sadness or fear. Her fingers gripped the tray for a moment longer, then she set it on the table.

The Bones: Fulfullment, Chapter 5 by Laura Wythe (available on Amazon)

The Bones Illustrated 14

Thomas Waits Where Highway 3 Has Fallen off the Map by Laura Wythe

The clouds over the shore were rent apart like a cloth, and the west-tracking sun burned through. A goddamned rainbow sprung from the gully to the south of him. It arced out over the lake as though painted with a sponge. The colours were brilliant. He shivered, wondering if it was a cruel harbinger of destruction, like the rainbows two weeks ago. But what if it was portent of incredible good fortune? Thomas patted his pockets and found a camera. Leticia’s. He could delete the photo later if things didn’t work out. Quickly, he snapped the photo as dark clouds from the west closed in on the rainbow. He almost teared up. The sunlight still shone through the cracks with the strength of a god’s finger. Brilliant, angelic light.

The Bones: Crossing, Chapter 12 by Laura Wythe (available on Amazon)

The Bones Illustrated 13

Crossing the Great Lake by Laura Wythe

Passing through the white fog gave the impression that the canoe stood still. There was no receding shoreline for Leticia to judge the speed or distance. Her shoulder and neck ached from the tension of holding the compass out for Rebecca to navigate. She couldn’t imagine how badly Rebecca and Miles would hurt by the time they reached the Canadian shore. The needle swung as they hit incoming swells and crossed the shore currents. Once out in the cooler deep water, the fog finally lifted. Wraiths of mist swirled around them.

The Bones: Crossing, Chapter 10 by Laura Wythe (available on Amazon)