Tag Archives: fibre art

A postcard

Back of She Wanders, 2021, DMC #8 thread and printed postcard, by Laura Wythe

Stitching up a memento to summarize a whole year on the back of a postcard is a challenge even in the best of years. This one is for 2020.

In January 2021, the embroidery guild I belong to invited members to create a postcard to swap. The theme is “What 2020 meant to me.” It’s been a remarkably full year, where babies were born and died, teaching became a technical vocation, friends celebrated decades of life without fanfare, a grant was written, stories collected and this writer/artist learned what self-care really meant.

We are currently in another tight lock down, making the swap idea a very appealing way to connect. The postcard has a physicality that needs time to make, send, receive and savour. And perhaps bring love and a smile to someone.

The size is small, though honestly, it just means I stitch smaller! Like many, I searched through what I have at home for inspiration. There was enough left of a fat quarter with a street print, a place I’d love to walk. As well, I have a bunch of postcards for The Bones designed by Chazza. Using one seemed very appropriate as we hear of the pandemic coming and going in waves.

This postcard goes to an unknown guild member, but if you are interested in a swap, let me know.

She Wanders,
2021, floss on printed cotton, cotton fill on printed postcard, by Laura Wythe
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brick by brick

Brick weights/LauraWythe

My friend had a friend lay square bricks in a circle at the far end of her beautiful back garden. It looks like it’s always been there.

There were left-over bricks, and I don’t usually work with bricks, but “borrowed” a few to use as weights for a bookmaking class I’m taking though CEG London. The rough surface needed covered, so I pulled out the thickest felt on hand and made some of those geometry nets like we did in school. I attached the edges by blanket stitching first, then weaving a thick thread though to join the seams and seal the brick up inside. The joining is based on a technique I saw at a Textile Museum of Canada exhibit featuring Central American weaving and clothing.

Brick by brick, I’m approaching the new techniques required for book making, trying to understand. And this finished book cover looks good after a day of rest beneath the felted brick.

In Praise of Ironing (Pablo Neruda)
2019 Laura Wythe
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