I’ve always sewn clothes, made pictures, sculptures–tactile, physical objects that I could share with others pretty easily.
For a number of reasons, writing has become a great creative and personal outlet for me. But how to show and share words? Contests, blogging, writing plays and joining writing groups have worked for short fiction.
Recently I finished a novel, inspired in part by a street in Wortley Village. Tecumseh Avenue is the only native name among so many traditional English names. It took a lot of research to find out the story behind the name, and I used the presence of this First Nation man in The Bones.
The main character is Catherine Blackwood, the textile curator at the Royal Ontario Museum in Toronto. She grew up on a farm next to the battlefield north of Chatham where Tecumseh died in the War of 1812. She heads back to the farm, now in Flood Zone 4, obsessed with making one last search for Tecumseh’s bones. (I’ll blog more about the Tecumseh story.)
I’m used to showing and telling what I’ve been up to. The logical thing — for me — was to make a series of illustrations and launch a book with pictures! Catherine, the textile curator, came to mind as having the perfect point of view for the illustrations.
For more than 2 years, I have collected textiles–table linens, threads, and other bits and embellishments. I have pored over maps and charted the travels of the characters through a flood ravaged land. I have joined London branch of the Canadian Embroiderer’s Guild to bone up on my stitching techniques.
I have 4 months left to finish the illustrations, and literally thousands of stitches to go.
A lot of hard work Laura and I admire your dedication to it. The book has been launched successfully, and I really look forward to the textile show, Text to Textiles at Masonville Library in April 2018.
And I thank you for all your support!