Many of the fibre artists I meet dye their threads to make their own pallet. I haven’t tried it, except the once when I sank a skein of pearl cotton into a brew of black walnut juice.
In the cold of winter, I went to a workshop led by Nancy Latchford. She’s a fibre artist who specializes in baskets, and her baskets are amazing in size and range. We met in a workroom in the Jonathon Snell-Bancroft Gallery where we had a view of Nancy’s fibre-based work, as well as many, many amazing ceramic pieces.
We started making our little baskets, first wrapping a washer for the base, then wrapping more threads over a cotton and wire core to make our coils. I’ve made slippery coils for clay for pots before, but this was new, and quite a challenge to juggle the pieces.
A huge part of the project was to choose the colours, or in my case, let the colours choose me. There was a boardroom-size table before us filled with hand-dyed cotton thread of all colours and tints. Impossible to include them all, but I tried. Red is always my favourite, but then violet, purple, orange, yellow, greens and blues took up the bulk of the project. In the dead of winter, I was thinking about June gardens.
The wrapping technique was new to me. You choose 2 or 3 colours and wrap them together around the core materials. It’s blending colours, and then as Nancy pointed out, they become further blended when the coils are bound together with yet more blends.
The basket is still a work in progress, palm-sized. The gardens, however, are in full bloom.