Category Archives: creativity

Shedding Skin 2

The turn of the millennium seems, well, a millennium ago! I did so much writing then.

The short stories I wrote in the early 2000s helped me process the new field I was entering, the world of education where it intersected with at risk and vulnerable youth. As an educator, I had to grow beyond my biases and judgements, those fear-based ways of holding on. Like a snake, I stretched my jaw through writing to take in and process amazing stories of resiliency, failure, and the hard snap of systems based on monetary measurables. Thankfully, in those years I was surrounded by amazing support from Youth Opportunities Unlimited and the Boys and Girls Club.

At the turn of the Millennium, there was the Internet, and I was an early adopter. No Facebook, no Instagram or TickTock. The iPhone wasn’t out yet, and Blackberry had its simple, but brilliant, message system (remember BBMS??). The newspaper, gossip, the radio shows and 6 o’clock news on TV were our information highways. We saw the same news at the same time. We could observe our local neighbourhood, our workplace, but we weren’t linked to instant news and entertainment.

The stories I wrote came from observations. The style of telling couldn’t be the usual hero’s journey because there was so much to overcome, and sadly, losses and more losses. All the unanswered prayers.

Most of the stories were told within a short time frame, but formed by a kaleidoscope of views. Me stretching my skin to understand the whole picture, and how to present it? Through dis-connection. In the end, the patterns coalesced, the endings not endings at all. Or writing an “if only.”A skin shed, and the living carry on.

Home: 10 Short Stories is shed, at least in the first layer and available to readers through Amazon. Though that won’t be the end of it.

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Mother’s Day revisited with May and June

Sketches for the garden gate
by Laura Wythe

My mother and her sister were named after the months they were born in:  May and June.  Both had Alzheimer’s.  Patricia May has passed away and but my mother, Eleanor June, lived on. Now, I am given white flowers on Mother’s Day.

I wondered how a person with dementia would respond to the news that a loved one had died. I wondered how dementia might have affected the sisters in the first place. Would they still have a relationship, each in their own world?

Here’s a section of a short story from my HOME collection where June tries to take in the news that May has died.  

They say no. She is not yet beside Mother and Father. Good. Tell them that on Mothers’ Day we pin a white carnation from the vase in the church narthex onto our cardigans and then we sit in the family pew waiting for the service. The pastor will deliver homilies of two kinds. May and I discuss how we would rather wear pink or orange carnations, and so we return the white ones to the vases in the narthex and pin the coloured ones on with long hat pins. The deacon notices and kindly says that there aren’t enough coloured flowers. Would we mind trading ours for the white again? We are mortified. Mother only pins coloured carnations onto our cardigans.

Father’s Day is less complicated. We take fish and chips to the pond and share a great bottle of dark ale, wiping our greasy hands on the grassy bank, putting off our shoes and socks afterwards to dangle our legs over the edge, fishing bits of coleslaw from the Styrofoam container and tossing the limp strands onto the water, calling up the fish as though they are our friends, kicking our feet hard in tandem so that whenever the minnows do surface, we have created tidal waves for the poor things. Father would like to choke us girls for scaring the fish away, for disturbing them, yet he has no qualms about tricking the fish with worms and impaling them on hooks in the first place.

This material is recycled from previous posts. See Songs of Experience (2014) for more about the drawing. LW

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A postcard

Back of She Wanders, 2021, DMC #8 thread and printed postcard, by Laura Wythe

Stitching up a memento to summarize a whole year on the back of a postcard is a challenge even in the best of years. This one is for 2020.

In January 2021, the embroidery guild I belong to invited members to create a postcard to swap. The theme is “What 2020 meant to me.” It’s been a remarkably full year, where babies were born and died, teaching became a technical vocation, friends celebrated decades of life without fanfare, a grant was written, stories collected and this writer/artist learned what self-care really meant.

We are currently in another tight lock down, making the swap idea a very appealing way to connect. The postcard has a physicality that needs time to make, send, receive and savour. And perhaps bring love and a smile to someone.

The size is small, though honestly, it just means I stitch smaller! Like many, I searched through what I have at home for inspiration. There was enough left of a fat quarter with a street print, a place I’d love to walk. As well, I have a bunch of postcards for The Bones designed by Chazza. Using one seemed very appropriate as we hear of the pandemic coming and going in waves.

This postcard goes to an unknown guild member, but if you are interested in a swap, let me know.

She Wanders,
2021, floss on printed cotton, cotton fill on printed postcard, by Laura Wythe
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brick by brick

Brick weights/LauraWythe

My friend had a friend lay square bricks in a circle at the far end of her beautiful back garden. It looks like it’s always been there.

There were left-over bricks, and I don’t usually work with bricks, but “borrowed” a few to use as weights for a bookmaking class I’m taking though CEG London. The rough surface needed covered, so I pulled out the thickest felt on hand and made some of those geometry nets like we did in school. I attached the edges by blanket stitching first, then weaving a thick thread though to join the seams and seal the brick up inside. The joining is based on a technique I saw at a Textile Museum of Canada exhibit featuring Central American weaving and clothing.

Brick by brick, I’m approaching the new techniques required for book making, trying to understand. And this finished book cover looks good after a day of rest beneath the felted brick.

In Praise of Ironing (Pablo Neruda)
2019 Laura Wythe
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Missed Call

detail of Missed Call, paper coming though silver mesh fencing; a bar "Call the Office" in the background

We whisper a message and it gets passed along. It’s never the same in the end.

This piece started in a paper stitching class, with picture hanging wire coiled to run through a press to emboss a square of paper. It looks like an old-fashioned telephone cord. Later, I treat green cotton rag paper with konjac paste, and fold and crumple the paper. It is quite sculptural. The feel is of old paper, like matchbooks, kept and folded until they become more than paper. Like memories. once fragile, but oddly more permanent through repeatedly turning them over. I take the coiled wire from the embossing and pierce this paper. A telephone connection is made. I list telephone ideas and choose 2 for a conversation that didn’t quite happen. As I stitch, I ask why not? Why didn’t they connect?

Embroidering on cotton paper treated with konjac
Laura Wythe

I remember this colour of green: Call the Office. The paint trim around the tired old windows of this London establishment matches the paper perfectly. Like the paper, it is crumpled but stands up well despite much abuse. It’s where you might meet someone and promise to call.

The fencing is a chance encounter in a craft store, looking for something else. Shiny aluminium mesh to go with the picture wire. Jagged edges.

Missed Call is phone tag, is the whispers game, but on a visual level. Thanks for starting this round of the game — Jan Taylor and Canadian Embroiderers Guild, London

Missed call, complete photo of multimedia relief, fabric, aluminium mesh, wire and paper on linen
Missed Call by Laura Wythe
12″ x 12″
fabric, wire, aluminium mesh, paper and threads on linen
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