Tag Archives: indie publisher

Shedding Skin 2

The turn of the millennium seems, well, a millennium ago! I did so much writing then.

The short stories I wrote in the early 2000s helped me process the new field I was entering, the world of education where it intersected with at risk and vulnerable youth. As an educator, I had to grow beyond my biases and judgements, those fear-based ways of holding on. Like a snake, I stretched my jaw through writing to take in and process amazing stories of resiliency, failure, and the hard snap of systems based on monetary measurables. Thankfully, in those years I was surrounded by amazing support from Youth Opportunities Unlimited and the Boys and Girls Club.

At the turn of the Millennium, there was the Internet, and I was an early adopter. No Facebook, no Instagram or TickTock. The iPhone wasn’t out yet, and Blackberry had its simple, but brilliant, message system (remember BBMS??). The newspaper, gossip, the radio shows and 6 o’clock news on TV were our information highways. We saw the same news at the same time. We could observe our local neighbourhood, our workplace, but we weren’t linked to instant news and entertainment.

The stories I wrote came from observations. The style of telling couldn’t be the usual hero’s journey because there was so much to overcome, and sadly, losses and more losses. All the unanswered prayers.

Most of the stories were told within a short time frame, but formed by a kaleidoscope of views. Me stretching my skin to understand the whole picture, and how to present it? Through dis-connection. In the end, the patterns coalesced, the endings not endings at all. Or writing an “if only.”A skin shed, and the living carry on.

Home: 10 Short Stories is shed, at least in the first layer and available to readers through Amazon. Though that won’t be the end of it.

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Mother’s Day revisited with May and June

Sketches for the garden gate
by Laura Wythe

My mother and her sister were named after the months they were born in:  May and June.  Both had Alzheimer’s.  Patricia May has passed away and but my mother, Eleanor June, lived on. Now, I am given white flowers on Mother’s Day.

I wondered how a person with dementia would respond to the news that a loved one had died. I wondered how dementia might have affected the sisters in the first place. Would they still have a relationship, each in their own world?

Here’s a section of a short story from my HOME collection where June tries to take in the news that May has died.  

They say no. She is not yet beside Mother and Father. Good. Tell them that on Mothers’ Day we pin a white carnation from the vase in the church narthex onto our cardigans and then we sit in the family pew waiting for the service. The pastor will deliver homilies of two kinds. May and I discuss how we would rather wear pink or orange carnations, and so we return the white ones to the vases in the narthex and pin the coloured ones on with long hat pins. The deacon notices and kindly says that there aren’t enough coloured flowers. Would we mind trading ours for the white again? We are mortified. Mother only pins coloured carnations onto our cardigans.

Father’s Day is less complicated. We take fish and chips to the pond and share a great bottle of dark ale, wiping our greasy hands on the grassy bank, putting off our shoes and socks afterwards to dangle our legs over the edge, fishing bits of coleslaw from the Styrofoam container and tossing the limp strands onto the water, calling up the fish as though they are our friends, kicking our feet hard in tandem so that whenever the minnows do surface, we have created tidal waves for the poor things. Father would like to choke us girls for scaring the fish away, for disturbing them, yet he has no qualms about tricking the fish with worms and impaling them on hooks in the first place.

This material is recycled from previous posts. See Songs of Experience (2014) for more about the drawing. LW

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Home: Ten Short Stories

font: Minimalist template: BookDesignTemplates.com

The interior is finished, thanks to BookDesign Templates for an easy to use format that works for this impulsive, somewhat dyslexic, right-brain creator.

In the next month, I’ll be building a main cover with renovation left overs. Besides publishing the collection through Amazon (sigh), I am going to make “art book” copies of the collection and also for each short story. Lots of fun ahead. It seems very important to reclaim the place of the writer as not just an online algorithm feeding a vast machine. I’ll never go on a big book tour, so creating art is where I live my most grounded life.

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The Bones Illustrated 6

Caskets on the Loose by Laura Wythe

Dolsen suggested viewing the river from the bridge that remained on Highway 2. They might see a solution by looking downstream. 
“When we got there,” Thomas told Catherine, “there was already a crowd and they were looking upstream. A mass of crate-like objects was bobbing in the water and coming our way.
“‘Munitions on the loose!’ Crudge said.
“‘Caskets,’ a bystander whispered. ‘A sign of the Rapture.’”
“I warned you that they believed in it,” Catherine said. “They keep calling me for advice.”
“Do you believe?”
“Only that if they keep pressing their wool suits, the glare from the shine will blind St. Peter. They must remember to use a cloth between the fabric and the iron.”
“They really have their best clothes out, ready to go?”
“Enough of them.”
“If I stay here much longer, I might hope for the same escape.”
“As long as you brought your best suit.”
“In any case, it was true. The coffins were in amazingly good shape, swollen with the rain, quite buoyant on the river. Frank Dolsen pointed out the masses of drowned earthworms, like small islands, and the air was thick with gulls.”

The Bones, Wooing, Chapter 10
Laura Wythe
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The Bones Illustrated 5

Rebecca, the Last Galloway by Laura Wythe

Her back would ache from holding the oar steady as a rudder in the rough waters. Tears streamed down her face and she did not care to wipe them. With her shoulders thrown back, Rebecca opened her soul to the river, shouting out the song that had rolled over her all the long winter.
Over the tree-tops I float thee a song!
Over the rising and sinking waves—over the myriad fields, and the prairies wide;
Over the dense-pack’d cities all, and the teeming wharves
 and ways,
I float this carol with joy, with joy to thee, O Death!
 
She was the last one living the frontier life, and it was her duty to carry the past forward as her parents, and theirs, and theirs had.

The Bones, Wooing, Chapter 2
by Laura Wythe
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The Bones Illustrated 4

Witness to Purity by Laura Wythe

The land settled out into the flat seabed, about 200 metres above sea level and gradually sloping away. The highway sat just enough above the water to make it seem like she was floating. Houses and barns looked like islands in the distance. A thin umbilical line to follow home, a lifeline between water and sky. The grey orb of the sun, pale and far to the west, was searching for an opening in the clouds, electrifying the edges with light. Would the sun touch the earth again?
It did break through. Catherine gasped at the beauty, and as though embarrassed by her reaction, the sun quickly pulled back. It had not been expecting a witness to such purity. She was the only traveller on the road.

The Bones, Lovers, Chapter 6
By Laura Wythe

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The Bones Illustrated 3

Safety Net: the Annex Trial by Laura Wythe

By his graduating year, TinTin knew he needed more than theory, more than a backyard experiment to convince people that he had a solution for peace. He set up an impressive demonstration. NASA and NORAD were the first agencies to notice the net around his neighbourhood, Toronto’s Annex. Only North American-made cars could pass through. The traffic tie-up was comical. Cars and trucks literally either passed through or stopped in their tracks. At high speeds, it could have been dangerous, but TinTin anticipated the problem, adding a thickness to the net, making it viscous so that vehicles slowed gradually and came to a standstill. Inertia and drag. The whole thing lasted only for a minute, then he pulled the net.

The Bones, Lovers, Chapter 5
by Laura Wythe
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The Bones Illustrated 2

Tecumseh Fell Here by Laura Wythe

Let all the land be flooded, let everything be drowned, but not this one hope that in her lifetime she would find the hero who’d died in the field beside her farm. Ever since she could remember, the rumours of the whereabouts of his bones floated up and down the settlements along the Thames watershed. She had to be the one to find them.

The Bones, Lovers, Chapter 2
by Laura Wythe
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The Bones Illustrated 1

Stricken City
Stricken City by Laura Wythe

T

On New Year’s Eve, a deluge dropped into the subway line at Union Station, rupturing it along the waterfront. The electric power surged and the deaths were swift. Party goers floated to the surface. Lake Ontario had breached the base of Toronto and muscled its way into the underground maze of concourses that linked high rising towers in the business district. Engineers tried to pump the water out but the lake shoreline, formerly at 76.5 metres above sea level, rose by 15 metres and currently lapped along the length Queen Street West. The city’s core stability was lost. Towers rocked like old frigates abandoned at sea. They crumbled. The city was disrupted beyond repair; the true exodus of power began. Bay Street would rebuild in Winnipeg, of all places, leaving the lower concourses to run like sewers.

The Bones, Lovers, Chapter 2
by Laura Wythe


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The Bones Illustrated

For the next while, I am posting the illustrations for my climate change novel, The Bones. The book is launched and the illustrations have been exhibited. Getting the right format for an illustrated version is my next challenge. In the meantime, enjoy the short excerpts along with the illustrations.

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